International Contemporary Ensemble (ICE)
“the new gold standard for new music” – The New Yorker
“bracing, illuminating, reassuring” – Financial Times
“extraordinary” – New York Times
The International Contemporary Ensemble (ICE), described by the New York Times as “one of the most accomplished and adventurous groups in new music,” is dedicated to reshaping the way music is created and experienced. With a modular makeup of thirty-three leading instrumentalists performing in forces ranging from solos to large ensembles, ICE functions as performer, presenter, and educator, advancing the music of our time by developing innovative new works and new strategies for audience engagement. ICE redefines concert music as it brings together new work and new listeners in the 21st century.
Since its founding in 2001, ICE has premiered over 500 compositions—the majority of these new works by emerging composers—in venues ranging from alternative spaces to concert halls around the world. The ensemble received the American Music Center’s Trailblazer Award in 2010 for its contributions to the field, and received the ASCAP/Chamber Music America Award for Adventurous Programming in 2005 and in 2010. In recent seasons, ICE has been Ensemble-in-Residence at the Museum of Contemporary Art Chicago, and the ICE musicians served for three summers as Artists-in-Residence at the Mostly Mozart Festival of Lincoln Center, curating and performing chamber music programs that juxtaposed new and old music. The ensemble has released acclaimed albums on the Mode, Nonesuch, Kairos, Naxos, Tzadik, and New Focus labels.
With leading support from The Andrew W. Mellon Foundation, ICE launched ICElab in early 2011. This new program places teams of ICE musicians in close collaboration with six emerging composers each year to develop works that push the boundaries of musical exploration. ICElab projects will be featured in more than one hundred performances from 2011-2014 and documented online through DigitICE, a new online venue. ICE’s commitment to build a diverse, engaged audience for the music of our time has inspired The Listening Room, a new educational initiative targeting public schools without in-house music programs. Using team-based composition and graphic notation, ICE musicians lead students in the creation of new musical works, nurturing collaborative creative skills and building an appreciation for musical experimentation. Please visit www.iceorg.org.
Jason ECKARDT: Undersong (mode 234)
Keeril MAKAN: Afterglow(mode 257)
Iannis XENAKIS:Ensemble Works 3 – Steven Schick, conductor (mode 261)