Much of Swiss composer Katharina Rosenberger’s work manifests in an interdisciplinary context and is bound to confront traditional performance practice in terms of how sound is produced, heard and seen. Her compositions, installations and operas have been featured at festivals such as the Warschauer Herbst, Wittener Tage für Neue Kammermusik, Heroines of Sound, Berlin, Lucerne Festival, ZeitRäume, Basel, Festival Archipel, Genf, Festival reMusik, St. Petersburg, Felicja Blumental Festival, Tel Aviv, Shanghai New Music Days, October Contemporary, Hong Kong as well as in many concert series throughout Europe and the USA.
Rosenberger is a recipient of the 2019 Guggenheim Fellowship. Her installation work VIVA VOCE and Room V have been awarded the Mediaprojects Award / Sitemapping of the Swiss Federal Agency (OFC). She is a past recipient of the Hellman Fellowship, San Francisco, Sony Scholar Award, and Ernst von Siemens Musikstiftung Commission. Her CD TEXTUREN (HatHut Records), was selected for the Preis der Deutschen Schallplattenkritik, Bestenliste 4-2012.
Rosenberger is Professor at the University of Music Lübeck teaching composition. She holds a Doctor of Musical Arts from Columbia University, N.Y.
Katharina Rosenberger: Tmepi Agitati (mode 334)