Morton Feldman
FELDMAN EDITION by Volume:
Vol. 1: Aki Plays Feldman – Aki Takahashi, piano (mode 54)
Vol. 2: First Recordings – Turfan Ensemble Philipp Vandré and Thaddeus Watson (mode 66)
Vol. 3: Complete works for Violin & Piano – Sabat/Clarke Duo (mode 82/83, 2-CDs)
Vol. 4: The Straits of Majellan; 2 Pieces for 6 Instruments; Durations (complete); Projections (complete) – The Turfan Ensemble/Philipp Vandré and Thaddeus Watson (mode 103)
Vol. 5: Voices & Instruments – The Barton Workshop. Claron McFadden, soprano. Charles van Tassel, bass-baritone. James Fulkerson, trombone & conductor (mode 107)
Vol. 6: String Quartet No. 2 – The Flux Quartet (6 hours duration). (mode 112, 5-CDs or DVD)
Vol. 7: Late Works with Clarinet – Carol Robinson (clarinets); Diatoma Quartet, Paris (mode 119)
Vol. 8: Triadic Memories – Marilyn Nonken, piano (mode 136, 2-CDs or 1-DVD)
Vol. 9: Composing by Numbers – The Barton Workshop plays graphic scores (mode 146)
Vol. 10: Trio – Aki Takahashi, piano. Marc Sabat, violin. Rohan de Saram, cello (mode 216, 2-CDs or 1-DVD)
Vol. 11: Orchestra – Martha Cluver, soprano; Deutsches Symphonie-Orchester Berlin, Brad Lubman, conductor (mode 238)
Vol. 12: String Quartet No. 1; Structures; Three Pieces for String Quartet – The FLUX Quartet (mode 269, Specially Priced 2-CD set + Bonus DVD in slipcase)
Vol. 13: For Bunita Marcus – Aki Takahashi, piano (mode 314)
Vol. 14: Complete Music for Cello & Piano – Stephen Marotto, cello. Marilyn Nonken, piano. (mode 340, 2-CDs)
Morton Feldman works on other records:
Cheap Imitation, arrangement of John CAGE’s work for trio by MORTON FELDMAN (1969/1980)
Aki Takahashi, piano
Margaret Lancaster, flutes, piccolo
David Shively, glockenspiel
FIRST RECORDING
Dedicated to Aki Takahashi
(mode 327)
Alphabetical Feldman Works
Jump to A – F | G – L | M – Z
Bass Clarinet and Percussion (1981)
Carol Robinson, solo clarinet & bass clarinet, Françoise Rivalland, percussion, Peppie Wiersma, percussion
(mode 119)
Between Categories (1969)
for 2 Chimes, 2 Pianos, 2 Violins & 2 Cellos
*FIRST RECORDING
The Barton Workshop
James Fulkerson, trombone, conductor & director
(mode 107)
Clarinet and String Quartet (1983)
Carol Robinson, solo clarinet & bass clarinet, Quatuor Diotima: Eiichi Chijiiwa, violin, Nicolas Miribel, violin, Franck Chevalier, viola, Pierre Morlet, cello
(mode 119)
Durations (1960)
- for alto flute, violin, cello & piano
- for cello & piano
- for tuba, piano & violin
- for violin, cello & vibraphone
- for violin, cello, vibraphone, celesta/piano & harp
The Turfan Ensemble
Philipp Vandré and Thaddeus Watson, directors
(mode 103)
Extensions 1 (1951)
for violin & piano
Philipp Vandré, piano
(mode 66)
Marc Sabat, violin
Stephen Clarke, piano
*FIRST RECORDING
(mode 82/83)
Extensions 3
Aki Takahashi, piano
(mode 54)
Extensions 3, unpublished version (1952)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Extensions 4 (1952-54)
for 3 pianos
The Turfan Ensemble
Philipp Vandré, piano and conductor
*FIRST RECORDING
(mode 66)
For Bunita Marcus (1985)
Aki Takahashi, piano
mode 314
For John Cage (1982)
Marc Sabat, violin
Stephen Clarke, piano
(mode 82/83)
Four Instruments (1965)
for Chimes, Piano, Violin & Cello
The Barton Workshop
James Fulkerson, trombone, conductor & director
(mode 107)
Four Songs to e.e.cummings (1951)
for Soprano, Piano & Cello
The Barton Workshop
James Fulkerson, trombone, conductor & director
with Claron McFadden, soprano
(mode 107)
Illusions (1948)
Aki Takahashi, piano
First Recording
(mode 54)
In Search of An Orchestration (1967)
The Barton Workshop, Jos Zwaanenburg, conductor
*FIRST RECORDING
(mode 146)
Intermission 3 (1951)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Intermission 4 and 5 (1952-3)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Intermission 5 (1953)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Intermission 6a (1953)
for 1 piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Intermission 6b (1953)
for 2 pianos
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Intersection (1953)
for magnetic tape
*FIRST RECORDING
(mode 66)
Intersection I (1951)
The Barton Workshop, Jos Zwaanenburg, conductor
*FIRST RECORDING
(mode 146)
Realization for full orchestra by Samuel Clay Birmaher
Deutsches Symphonie-Orchester Berlin
Brad Lubman, conductor
*FIRST RECORDING for large orchestra
(mode 238)
Intersection II (1951)
Frank Denyer, piano
(mode 146)
Intersection III (1953)
Frank Denyer, piano
(mode 146)
Intersection IV (1953)
Taco Kooistra, cello
(mode 146)
Intervals (1961)
for Bass-Baritone, Trombone, Cello, Vibes & Percussion
The Barton Workshop
James Fulkerson, trombone, conductor & director
with Charles van Tassel, bass-baritone
*FIRST RECORDING
(mode 107)
Journey to the End of Night (1949)
for Soprano, Flute, Clarinet, Bass Clarinet & Bassoon
The Barton Workshop
James Fulkerson, trombone, conductor & director
with Claron McFadden, soprano
*FIRST RECORDING
(mode 107)
The King of Denmark (1964)
Michael Pugliese, percussion
First CD release
(mode 25)
Marginal Intersection (1951)
The Barton Workshop, Jos Zwaanenburg, conductor
*FIRST RECORDING
(mode 146)
Music for Jackson Pollock (1950-51)
for 2 cellos, section from original soundtrack to a film by Hans Namuth
The Turfan Ensemble
Philipp Vandré, piano and conductor
*FIRST RECORDING
(mode 66)
Music for Jackson Pollock (complete original soundtrack, mono)
Jackson Pollock, speaker
Daniel Stern, cellos
*FIRST RECORDING
(mode 66)
Nature Pieces (1951)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
O’Hara Songs, The (1962)
for Bass-Baritone, Chimes, Piano, Violin, Viola & Cello
The Barton Workshop
James Fulkerson, trombone, conductor & director
with Charles van Tassel, bass-baritone
(mode 107)
On Time and the Instrumental Factor (1969)
Deutsches Symphonie-Orchester Berlin
Brad Lubman, conductor
*FIRST RECORDING
(mode 238)
Out of ‘Last Pieces’ (1961)
The Barton Workshop, Jos Zwaanenburg, conductor
*FIRST RECORDING
(mode 146)
Orchestra (1976)
Deutsches Symphonie-Orchester Berlin
Brad Lubman, conductor
*FIRST RECORDING
(mode 238)
Palais de Mari
Aki Takahashi, piano
(mode 54)
Piano Piece (1955)
Aki Takahashi, piano
(mode 54)
Piano Piece
(to Philip Guston)
Aki Takahashi, piano
(mode 54)
Piece for Violin & Piano (1950)
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Marc Sabat, violin
Stephen Clarke, piano
(mode 82/83)
Projection I (1950)
Taco Kooistra, cello
(mode 146)
Projection II (1951)
The Barton Workshop, James Fulkerson, conductor
(mode 146)
Projection III (1951)
Philip Corner and Frank Denyer, pianos
(mode 146)
Projection 4 (1951)
Marc Sabat, violin
Stephen Clarke, piano
(mode 82/83)
Marieke Keser, violin and Frank Denyer, piano
(mode 146)
Projection V (1951)
The Barton Workshop, James Fulkerson, conductor
(mode 146)
Projections (1950-51)
- for cello solo
- for flute, trumpet, violin, cello & piano
- for 2 pianos
- for violin & piano
- for 3 flutes, 3 cellos, trumpet & 2 pianos
The Turfan Ensemble
Philipp Vandré and Thaddeus Watson, directors
(mode 103)
Spring of Chosroes (1977)
Marc Sabat, violin
Stephen Clarke, piano
(mode 82/83)
Straits of Magellan, The (1961)
for flute, horn, trumpet, amplified guitar, harp, piano & contrabass
The Turfan Ensemble
Philipp Vandré and Thaddeus Watson, directors
(mode 103)
The Barton Workshop, James Fulkerson, conductor
(mode 146)
String Quartet No. 1 (1979)
FLUX Quartet
(mode 269/70)
String Quartet No. 2 (1983)
FLUX Quartet
(mode 112)
Structures (1962)
Deutsches Symphonie-Orchester Berlin
Brad Lubman, conductor
*FIRST RECORDING
(mode 238)
Structures for string quartet (1951)
FLUX Quartet
(mode 269/70)
Three Clarinets, Cello and Piano (1971)
The Barton Workshop
(mode 107)
Carol Robinson, solo clarinet & bass clarinet, Pierre Dutrieu, clarinet, Olivier Voize, clarinet, Elena Andreyev, cello, Vincent Leterme, piano
(mode 119)
Three Pieces for String Quartet (1954-56)
FLUX Quartet
(mode 269/70)
Triadic Memories
Marilyn Nonken, piano
(mode 136)
Trio (1980)
Aki Takahashi, piano, Rohan de Saram, cello, Marc Sabat, violin
(mode 216)
Two Intermissions (1950)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Two Pieces for Six Instruments (1956)
for flute, alto flute, horn, trumpet, violin & cello
The Turfan Ensemble
Philipp Vandré and Thaddeus Watson, directors
*FIRST RECORDING
(mode 103)
Two Pieces (1948)
Stephen Marotto, cello. Marilyn Nonken, piano. (mode 340, 2-CDs)
Variations (1951)
for piano
Philipp Vandré, piano
*FIRST RECORDING
(mode 66)
Vertical Thoughts 2 (1963)
Marc Sabat, violin
Stephen Clarke, piano
(mode 82/83)
Vertical Thoughts 4 (1963)
Yvar Mikhashoff, piano
(mode 262/65)
Voice and Instruments (1972)
Martha Cluver, soprano
Deutsches Symphonie-Orchester Berlin
Brad Lubman, conductor
*FIRST RECORDING
(mode 238)
