“Neely Bruce’s importance in contemporary American music has never been sufficiently recognized. With this release Mode continues to consolidate its position as one of the most important labels specializing in contemporary music: it’s another impeccably produced release. Mode seems unable to go wrong. Bruce’s art ranges from the most difficult and virtuosic contemporary writing to simple tonality, and moves from one idiom to the other effortlessly and convincingly–something hardly anyone can do without sounding forced. Bruce seems equally at home in every style he uses. The Electric Phoenix, if you haven’t heard, are the best at what they do. This is one of the most significant releases to come my way in quite a while.”
—Taylor, American Record Guide
“Teaming the contemporary American composer with one of England’s most accomplished vocal ensembles of modern repertoire, Electric Phoenix, forms this beautiful recording of literature set to music. Eerie, humorous, and rhapsodic at times, Bruce’s interpretive music pairs a wide range of brilliant sonic textures with evocative text, marvelously realized through electronic manipulation.”
—Brooke Wentz, New York Review of Records
“Neely Bruce’s The Plague of 1982, an eclectic rock cantata ostensibly dramatizing in Decameron-style Florence’s 14th century bubonic plague, appears to have been the earliest large-scale musical work about AIDS, pre-Diamanda. The performers and dedicatees are England’s astonishing Electric Phoenix ensemble, a vocal quartet of dynamic personalities–the Manhattan Transfer of the avant-garde. Worth hearing in any repertoire, their uninhibited precision will perk your ears up from the first zinging chord. A MINUS.”
—Kyle Gann, The Village Voice
“The Electric Phoenix is a worthy vehicle for Bruce’s unusual, often fascinating works. The Plague is a 40-minute musical theater piece with texts from Boccaccio, the Bible and Bruce himself, and musical motifs ranging from madrigals to The Rock Island Line. A rock ensemble plays parts of Zappa-like complexity, while the singers tell the story of hysteria that comes with a plague; there’s a surprising amount of humor (mostly black, of course) in the piece. Let’s hope that Bruce gets to record more of his 500 compositions.”
—Bart Grooms, Option Magazine