mode 313 Horatiu RADULESCU: Edition 2: Works for Organ & for Cello
Christe eleison, op.69 (1986) for organ
You-tree kalotrope III (1984/2004) for organ
Amen, op.88 (1994) for organ, dedicated to Christoph Maria Moosmann
Intimate Rituals III, op.63 (1989) for string instrument & sound icons. Version for cello
Horatiu Radulescu & Petra Junken, sound icons
Immersed in the Wonder II, op.96 (1996) for trombone & cello
Stanley Clark, trombone
ALL FIRST RECORDINGS
Christoph Maria Moosman, organ
Catherine Marie Tunnell, cello
Mode’s Radulescu Edition, curated with Radulescu’s widow Catherine Marie Tunnell and his publisher Lucero Press, continues with a collection of his works for organ and works with cello.
Radulescu’s complete organ works are performed here by German organist Christoph Maria Moosmann, a long-time Radulescu collaborator with a great understanding of Radulescu’s music and goals. Some of the works were written for or dedicated to him.
Further definitive recordings are guaranteed by performances from cellist Catherine Marie Tunnell, the director of Lucero Press, who worked closely with Radulescu.
The organ and its interaction with its acoustic environment
compliments Radulescu’s “spectral music” palette and what he referred to as “sound plasma”— a special state of sound beyond equal temperament.
Intimate Rituals III is presented in its version for cello and
“sound icons.” During 1965-69, Radulescu had transformed his Bösendorfer grand piano into a kind of harp, putting it vertically on its side and without cover, naming it sound icon. The strings are tuned spectrally, played with a V-form bow of horse hair or with other objects like coins, spheres etc. (The keyboard is not used at all). Due to the special tuning and the bowing technique, if one just touches a string all other strings begin to resonate, creating a rich harmonic halo around each sound. In 1985 Radulescu, together with Petra Junken, recorded two improvisations, each of them on two sound icons. The superimposition of those tapes is used here to accompany Tunnell’s cello.
Liner notes by Shushan Hyusnunts and Christoph Maria Moosmann.